Abstract—Under the influence caused by the booming mania
to the industries of cultural creativity, the aggressive
development of culture and economy has become one of the
prevailing trends among numerous countries currently. Taiwan
is an island nation divergently fused with numerous ethnic
groups wherein most researchers and scholars suppose the
aboriginal cultures are abundantly featured with domestic
indigenous tribes and cultures. The cultures of indigenous tribes
are now situated in a setting with particular social changes. The
changes make the fields of daily life transformed into the fields
of creative cultures with their domains and the concepts of space
having gradually been disintegrated, faded away and
restructured. In the transforming process, the traditional space
and fields of the aboriginals must be further experienced with
the dilemma of novel positioning and the reluctance to accept
new reforms. This research was conducted by taking the
indigenous tribes of cultural creativity, namely the Laiji Tribe
and the Sandimen Commercial Circle for example. Also, the
analysis was further conducted to find out the types of the fields
of cultural creativity and the revolutions of the relevant space
and domains.
Index Terms—Fields of cultural creativities, impressive
commercial circles of indigenous tribes, field shaping.
Meng-Ling Lay, Shu-Hua, Gao, and Su-Ping Tan are with the Southern
Taiwan University of Science and Technology, Tainan, 710 Taiwan (e-mail:
molin@mail.stust.edu.tw; vulck189@gmail.com; ma1j4228@stust.edu.tw).
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Cite: Meng-Ling Lay, Shu-Hua Gao, and Su-Ping Tan, " The Field Shaping of Aboriginal Cultural Creativities -
Taking the Laiji Tribe and the Sandimen Commercial
Circle for Example," International Journal of Social Science and Humanity vol. 4, no. 2, pp. 97-103, 2014.